With just this one scale, there are a lot of interesting harmonic possibilities to explore. Work on arpeggiating the scales and playing them in thirds, fourths and other intervals to create new sonorities.
Remember just like other scales, you want to practice the melodic minor in all possible variations and directions. By approaching the scale from the third note, you can imply a #11 and #5 over major tonality. On a dominant chord this scale includes the flat 9, #9, #11 and flat 13, really every altered note possible.įinally, over major chords you can create a major 7#5 sound using the melodic minor scale. Starting with the natural minor, the 6th and. Jazz musicians often use the altered scale over dominant chords, which is just a melodic minor scale starting on the seventh note. The melodic minor scale for guitar is the most difficult to remember as it ascends differently than it descends. This is a really unique sound using the melodic minor scale and because V7 chords are everywhere, there are endless opportunities to use this sound.Īnother way to imply this tonality using the same scale is to play the triad a whole step up from the tonic, in this case G over F7, emphasizing the upper structures of the chord:ĭominant chords are a great place to create tension and forward motion in a solo and using the melodic minor can achieve this. Playing from the fourth note of a melodic minor scale you can create a V7 #11 or lydian dominant sound. Rather than playing the Dorian mode over a minor chord, try the melodic minor scale which includes the major seventh. Again, the wonderful thing about the guitar is that you really only have to memorize one pattern for each type of scale and youre set. Obviously the first way to use the melodic minor scale is over a minor chord. You can utilize the melodic minor scale over major, minor and dominant chords equally well, so there are many applications from learning just this one scale. Here are four ways (in C minor) to use the melodic minor scale over different chords in your solos: 1. The melodic minor presents some nice harmonic options when you are looking to get away from just playing diatonically over common chord progressions in your solos. This scale is a very useful and versatile scale for improvisers to know and not just for soloing over minor chords or tonalities. For example, there is little point in comparing the fourth mode built on A Melodic Minor scale to an Ionian scale. This time, we would have to work out the names comparing the scales to their most similar mode. The melodic minor scale is a scale that you’ve probably learned early on in your musical development, but it can take on a whole new life when applied to jazz. The addition of the F in the Melodic Minor scale, makes things slightly more complex (if that was even needed at this point).
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